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*Rel Dowdell is a very gifted screenwriter and director.

Born and raised in Philadelphia, he received his Bachelor’s degree in English with magna cum laude honors from Fisk University and a master’s degree in film with highest distinction from Boston University.

Dowdell’s first feature film, Train Ride, was released to widespread critical acclaim. Produced with independent financing, the film was acquired and distributed by Sony Pictures in 2005 and was a tremendous financial success. The picture starred Wood Harris, MC Lyte, Russell Hornsby, and the late Esther Rolle in her last performance.

Train Ride was ranked as one of the best American movies that year as cited by veteran film critic Gerald Peary of The Boston Phoenix. It also garnered high praise in film historian Irv Slifkin’s book, “Filmadelphia: A Celebration of a City’s Movies.” And it won the honor of “Best Feature” at the American Theatre of Harlem Film Festival in 2005.

Rel Dowdell has been compared to John Singleton and Spike Lee in the way that he blends urban storytelling and suspense to tackle relevant and universal social issues intimately intertwined with a powerful moral message. Here, Rel discusses his new film, Changing the Game, a drama shot in his hometown and starring Sean Riggs, Irma P. Hall, Tony Todd, Dennis L.A. White and Sticky Fingaz.


Kam Williams: Hi, Rel, thanks for the interview.

Rel Dowdell: Absolutely! This is a great privilege of mine to be interviewed by you, Mr. Williams. I have been a great admirer of your work and writings for years. You reviewing my film, “Changing the Game” was an extremely significant honor for me and everyone involved with this landmark project.


KW: How did you come up with the idea of Changing the Game?

RD: I wanted to be daring and create a film with an African-American male protagonist that combined genres, kind of like a cross between “New Jack City” and “Wall Street.” The key was to make sure to show that the African-American male protagonist, when given the chance to escape his virulent, inner-city environment and become successful, would make sure not to get engulfed by it again, but at the same time, never lose his sense of self and appreciate the roots from which he originated, in order to make smart decisions in his life.


KW: To what extent is the story autobiographical?

RD: Wow! Good question. I think every screenwriter takes pieces of him or herself and integrates it into the fabric of some of the characters in the screenplay when it’s written. In life, you have to have street sense as well as book sense if you’re going to survive in this world. The main character, Darrell Barnes (played by Sean Riggs), uses spirituality and intelligence to guide him through some of the pitfalls in his life. I can fully relate to that. I had people pray for me continuously during the more arduous times in my life, just like the character of the grandmother (played by Irma P. Hall) did for Darrell. The part about adapting philosophies of Niccolo Machiavelli to deal with adversities and adversaries seemed like an interesting element to me since I had read texts such as Machiavelli’s “The Prince” and “The Art of War” by Sun Tzu numerous times during my academic years.


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